Work Cited

Balcerzak, Scott. “Baffoon Men: Classic Hollywood Comedians and Queered Masculinity.” Wayne State University Press: Detroit. 2013. Print.

Browne, Nick. “Refiguring American Film Genres: Theory and History.” University of California Press: Berkeley. 1998. Print.

Fulton, A. R. “Motion Pictures: The Development of an Art from Silent Films to the Age of Television.” University of Oklahoma Press: Norma. 1970. Print.

Gardaphe, Fred. “From Wise Guys to Wise Men: The Gangster and Italian-American Masculinities.” Routledge: New York. 2006. Print.

Gehring, Wes D. Handbook of American Film Genres.  Greenwood Press: Westport, Connecticut. 1988. Print.

Grant, Barry Keith. “Film Genre Reader IV.” University of Texas Press: Austin. 2012. eISBN: 9780292742079

Matthews, Melvin E. “Hostile Aliens, Hollywood and Today’s News: 1950s Science Fiction and 9/11.” Algora Publishing: New York. 2007. eISBN: 9780875864990

Odell, Colin. “Horror Films.” Pocket Essentials: Harpenden, GBR. 2001. pISBN: 9781903047385

Renga, Dana. “Mafia Movies: A Reader.” University of Toronto Press: Buffalo, NY. 2011. Print.

Renzi, Thomas. “Screwball Comedy and Film Noir: Unexpected Connections.” McFarland & Company Publications: Jefferson, NC. 2012. Print.

Sinclair, Stéfan and Geoffrey Rockwell. “Voyant Tools: Reveal Your Texts.” Voyant. 20 Mar. 2014 <;

Shull, Michael S. “Radicalism in American Silent Films, 1909-1929: A Filmography and History.” McFarland & Company Publishers: Jefferson, NC. 2000. Print.

Weaver, James. “Horror Films: Current Research on Audience’s Preferences and Reactions.” Lawrence Eribaum Associates: Mahwah, NJ, 1996. Print.


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